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The Foundation of Your Online Art Marketing Strategy is....

by Clint Watson on 11/3/2009 9:44:17 AM

This article is by Clint Watson,  former art gallery owner/director/salesperson and founder of FineArtViews. You should follow Clint on Twitter here.

The foundation of your online art marketing strategy is making great art.  

duh.

That's why I made that number one item on the list in my previous post How to Sell Art.
 

Google is Not the Foundation of an Online Art Marketing Strategy

I broach this subject now, because another art marketing blog that I sometimes read posted the following statement a few days ago, "Google is the foundation of your online art marketing strategy."  (Update 11/4/2009 - the other blog has posted a reply here.  Their original article is here, and our follow-up post is here.)

I don't agree.  Google is NOT the foundation of an online art marketing strategy for the vast majority of artists - making great artwork is the foundation.  

(The information the other blog provides is good, I just don't want artists to misunderstand such a strong statement and focus on Google to the detriment of other activities that have a much, much bigger payoff when it comes to selling art)

"Oh, come on...you nitpicker" you're probably thinking.  Because, technically, making great artwork is not an online activity.  Well, frankly, Google is not even the second (or third, or fourth) thing to focus on in an art marketing strategy.  


Focus on Your Fans

The second thing to focus on is building relationships with your fans.  If we're talking about online marketing that means telling stories through the most effective online sharing mechanism I know of - email newsletters.


Don't get me wrong, I do understand why people get so excited about search engine marketing.  Most people who focus on Search Engine Optimization (SEO) are excited because they've had success at ranking on Google for keywords that help drive traffic and business prospects to them.

However, think about this: there are a lot more artists googleing "how to sell art" than there are buyers googleing "how to buy art"


Search Engine Marketing Does Have a Role

Google can be the foundation for online marketing for some people and businesses, just not most artists.  For example, our sister company, FineArtStudioOnline, sells website hosting to artists.  When artists google things like "How to sell art online", "art marketing online", "artist websites" etc.  That is an important part of marketing for US.  The nature of our business is that artists go to Google and search for what we offer.

But, as I've discussed in the past, people don't buy art that way.  People find art through "serendipitous stumbling."  Most people "just know it when they see it."

I'm not saying google doesn't play a part in an artist's marketing efforts, I just don't agree that it's the foundation.

Search Engine Marketing (SEO) does have it's place for most artists.  Although it's not the foundation and you should never let yourself become obsessed with it (to the detriment of more important activities), there are many simple things that can be done to make sure you show up in search engines.  Mainly, you want to rank well for your own name.  That's because, since people find art through "serendipitous stumbling", they usually go "Google" the artist they've just discovered for more information.  Fortunately, unless your name is really common, ranking for your own name is pretty easy.  

What we've done at FineArtStudioOnline is put systems in place to basically "automate" as much of the SEO stuff as possible so you don't have to worry about it.  Here is a short (but not exhaustive list) of the things we do automatically for every FASO site:  No flash, automatic XML sitemaps on every site, automatic alt and title tags on images, short, friendly URLs, keywords in URLs and title tags, every FASO site gets inbound links from our years-old, authoritative domains.  The main thing we can't do for you is get a whole bunch of other inbound links to your site from other websites.  Fortunately, if you focus on building relationships with people - those links will come (especially if you remember to ask).


So please, while SEO can be very helpful, please don't get obssessed with it.  Remember, the foundation of an online art marketing strategy is making great art, next develop a list of fans usually starting with people you know, after that be authentic with those people, tell them your stories and they'll buy your art.  You'll become a "social object" and they'll tell their friends about you and the cycle will continue.


Sincerely,

Clint Watson
Software Craftsman and Art Fanatic







[Services:
FASO: Want Your Art Career to Grow?  Set up an Art Website with FASO.
FineArtViews: Straight talk about art, marketing, & inspiration - daily to your inbox.
InformedCollector: Free daily briefs about today's finest artists in your inbox.
FAV Contest: Monthly Online Painting Competition with over $4,000 in awards.
Backstory:
About Clint. Email Editor.  Submit a guest post.  Twitter. Republish. ]

Related Posts:

Art Marketing is Conversations

How Would You Promote Your Site if Google Didn't Exist?

Found in the Blogosphere: Quotes About Art

Make Amazing Art, Be Authentic, Tell Your Stories and the Art Will Sell

Art Marketing for Artists Who Want to Change the World

Artists: Lead Your Collector Clan

I'm Not Surprised Your Art Isn't Selling . . .

Do You Want Traffic or Do You Want to Sell Art?

How to Sell Art


Topics: Art Business | art marketing | Creativity and Inspiration | Email Marketing | Sales | SEO 

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 11 Comments

Claudia Brookes
via fineartviews.com
I am aware of how much FASO does for artists who use FASO hosting in order that that they can be "found" by search engines and potential patrons. But I continue to wish for a way that artists would be categorized in different ways (with key words, etc) on the site itself.If there were a search mechanism within FASO, artists and their work could be found by searching for the type of work they do, their style, their subject matter, their medium, etc. Examples might be "American Impressionism," "Experimental,"
"Plein Air," "animal subjects," "alla prima," "figurative works," "landscape," "watercolor," etc. Do otheres think this could be useful?
Clint Watson
via clintwatson.net
Claudia - we will eventually have a search feature; however, you're falling into the trap I warned against. Art collectors generally don't search for art that way, as I pointed out in my post. Art is a "Social Object" - people find out from their friends, or by luck and then get interested in specific artists. The biggest bang for your buck comes from developing ever-deepening relationships with people who already follow you, and asking them to recommend friends. Having said that, there will be a search feature someday.
Claudia L Brookes
via clintwatson.net
If you are right about how potential patrons find art, then I beleive that a search would still be useful for artists who use FASO. It could help us do research among artists who are our actual peers for comparative pricing, appropriate galleries for our work, contacts we might benefit from with other artists doing similar work, etc. The one exception I might make to your issue about how patrons find work is that they always seem to be interested in where an artist is from, and also, particularly with landscape painting, the area that the painting represents. I am nearly always asked these two questions at a show.
Clint Watson
via clintwatson.net
Claudia - You are correct, there are other uses for a search feature than just buying art, thanks for pointing that out - hopefully we can rolls something out soon - search is a difficult nut to crack properly - hence the reason Google has gotten so big.
Lori Woodward
via clintwatson.net
My website is a way for my "fans" to keep track of what I'm working on and what's for sale. However, my collector list has been built, one person at a time through word of mouth and meeting these people at shows and while traveling.

Sometimes my collectors promote my work to their friends, and they give those friends my website URL. The avid collectors who've befriended me don't seem to search for styles or types of artwork. They look in magazines, and go to shows, and talk to their fellow collectors.

It's always about cultivating relationships with collectors - whether the artist does it or an agent.
Nancy Lloyd
via fineartviews.com
Thanks for pointing out that making really great artwork counts!
I like your priorities, especially since it is so easy to get distracted by high tech marketing.
All too often I hear people in an art class or workshop chatting about making this sale or that sale. Many of us would be better served if we focused more on "making great artwork"! All the top notch exposure in the world won't make the artwork any better!
Jim Springett
via fineartviews.com
Clint Faso...opened my eyes...a year ago at this time Sept 08 I started on line with Faso...in Oct I had 2700 pages opened and 205 visitors...at that time I had done nothing or had any newsletters...so all this was a result of FASO's help getting my information out on the search engines....now a year later in Oct 09...I had 159 pages opened and 35 visitors for the month?? I had a whole year of blogs and newsletters...and adding a lot of amazing art...one of a kind wildlife art. This seems to be a paradox for me...I have very good art (I'm improving)..am authentic, telling my good story...and the bottom fell out of my website?? What steps might I consider to get back to better feedback with the art buying public...I have been thinking about discontinnuing the FASO website and focus on areas that might improve my sales and marketing as I continue to paint daily? Maybe some of the other FASO artist might have had the same experience...is this a possible response to my art at this time...or other facets about cyberspace I have missed... that I am not considering and need to be more aware of? jimmy
Mary Lawler
via clintwatson.net
This article points out something very important."every FASO site gets inbound links from our years-old, authoritative domains. The main thing we can't do for you is get a whole bunch of other inbound links to your site from other websites. Fortunately, if you focus on building relationships with people - those links will come".
Speaking as a marketing person from a similar artists hosting site, I can tell you, our job is to direct traffic to the site by means of all the internet acronyms that Clint mentioned. We do massive amounts of work behind the scenes to drive traffic to our sites; but like the horse and water, we can lead buyers to the site but we can't make them look at YOU. Artists need to blog (tell stories),communicate via newsletter and social media and build inbound links for themselves, in order to set themselves apart and build a following. Traffic stats,indexed pages and visitors per day is important, but not the whole picture. Clint is so right, focus on making great art and building relationships. Obsessing about numbers is our job.
Clint Watson
via clintwatson.net
Thanks Mary - the point about links is important and least in the overall "SEO" discussion.

That's one reason I think it's important for artists to "set up shop" on their own domain as a hub and branch out to other services for reaching people. If an artist puts the effort in to get links pointing back at him or herself, they ought to be assets that he or she controls. It's one reason I cringe when I see blogs at someartist.blogspot.com. Better would be someartist.com/blog. (I also don't like twitter.com/someuser but I've been too lazy to set up a redirect from clintwatson.net/twitter, so if twitter gets all that link juice).

But here I go, falling into the SEO discussion again....it's just so darn alluring.....
becky joy
via clintwatson.net
I started a blog almost a year ago. (I wish I had started the blog on my website, but I do have plans to use that in about three months.) In just the last 2 months I have started a newsletter and commenting more on other blogs and twitter. It amazes me how quickly things are changing. I've gotten questions from other artists about my work. My newsletter is probably the best thing I've done. Only one issue so far, but by far, the most response from those following my work. I wish I had started the newsletter earlier.
Joann Wells Greenbaum
via clintwatson.net
Hi Clint,
I agree that it is wise to appeal to your e-mail list, the people who have already proven to be excited about your work. But my question is - how would it be to offer a discount to your customers?
For instance, as a way to move inventory in the beginning of the year, would it be o.k. to send an e-mail saying that as a thank you to customers for a limited time, I'm offering a percentage discount on my website, does that cheapen or does that endear your work to the customer?

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